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Mary Elizabeth Winstead played the character of Huntress in the DCEU’s Birds of Prey movie, but despite the film’s stylish flair and subversive storytelling, audiences were ultimately left wanting a lot more from the character. The film was met with a fairly divisive critical reception: while some critics praised the film for breaking free from the conventions of the superhero genre, the majority agreed that it was too messy, uneven, and uninteresting to really leave an impression. Although Birds of Prey works great as a team-up movie, the project failed to make waves.
However, in the years since Birds of Prey’s release, Mary Elizabeth Winstead has done a great job of proving just how much she was underutilized in the film. She’s released some hugely underrated action movies, taking audiences by surprise with her dynamic stunts and fierce performances every single time. She’s beginning to cement herself as a real action star, but Birds of Prey didn’t quite recognize the actress’ potential. It’s unlikely that Winstead and the other Birds of Prey will return in the rebooted DC universe, so the franchise may have wasted her forever.
Netflix’s Kate Proved Mary Elizabeth Winstead Was Perfectly Cast As Huntress
The Two Characters Are Very Similar
Netflix’ Kate may have slipped under many audience’s radars, but it’s undeniably one of the streaming service’s most stylish and interesting action movies to date. In the film, Winstead plays a ruthless assassin who’s fatally poisoned during her mission and given 24 hours to enact revenge on the organization that’s set her death in motion. It’s an extremely tense and bloody narrative that’s brimming with high-octane set pieces, and much of its engagement is thanks to Winstead’s captivating performance.
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Kate delivers on all the potential that was missed in Birds of Prey: it puts Winstead at the center of the story and allows her to fully let loose in this brutal, violent story of revenge and frustration. Kate was described as a copy of John Wick upon its release, and while there are certainly similarities between the two projects, the comparison is somewhat reductive. Kate has a fresh and original style, blending blood-pumping action with neon-soaked visuals and elements of comedy that prove how well she could’ve nailed the precise tone of Birds of Prey with more screen time.
Mary Elizabeth Winstead Should Be In More Action Movies After Kate
The Movie Should Have Opened More Action Movie Doors For Winstead
Kate was just the beginning of Mary Elizabeth Winstead’s action career – the project immediately proved that she was capable of leading this fierce story without too much help from the supporting cast, which is something she’s never really done before. The actress has a commanding screen presence, and her dedication to the stunt work and action set pieces was exactly what a brutal film like Kate needed.
Although the project was dumped fairly unceremoniously on Netflix, it quickly developed a large fanbase and received overwhelmingly positive reviews from critics.
Kate proved not only that there’s space in Hollywood for violent, standalone, female-led action projects like this, but that there’s even a demand for them. Although the project was dumped fairly unceremoniously on Netflix, it quickly developed a large fanbase and received overwhelmingly positive reviews from critics. With a more focused release strategy and perhaps a theatrical run, Kate could have been the huge hit that kick-started Winstead’s action career following Birds of Prey.
An action crime thriller, Kate follows the titular character, a skilled assassin at the height of her game. But when she makes a careless mistake and compromises an assignment targeting a member of the Yakuza while in Tokyo, she discovers she’s been poisoned with a deadly serum that slowly kills her from the inside out, giving her less than 24 hours to exact revenge on her killers. As her body swiftly deteriorates, Kate forms an unlikely bond with the teenage daughter of one of her past victims.
- Director
- Cedric Nicolas-Troyan
- Release Date
- September 10, 2021
- Studio(s)
- Netflix
- Writers
- Umair Aleem
- Cast
- Miyavi , Michiel Huisman , Woody Harrelson , Mary Elizabeth Winstead , Jun Kunimura , Miku Martineau , Tadanobu Asano
- Runtime
- 106 minutes
- Distributor(s)
- Netflix
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